
You want to discover great japanese movies but you don’t know where to begin?
Here we go!
#10 – Tetsuo – IMDb Rating: 7.1/10

A kind-of live version of Akira, a cyberpunk manifesto full of crazy ideas you’d have never thought about. That’s pure indie-undeground movie.
# Review: MidnightEye
# From the same director: Tokyo Fist
# Trailer:
——————–
#09 – Funeral Parade Of Roses – IMDb Rating: 7.9/10

Well, A Clockwork Orange stole some ideas from Funeral Parade of Roses. Yes Kubrick did love Japanese Cinema. Anyway, this is a gay version of Oedipus Rex set in Tokyo, 1960’s. No way you want to miss it!
# Review: MidnightEye
# From the same director: Shura
# Trailer:
——————–
#08 – Graveyard Of Honor – IMDb Rating: 7.4/10

Before Battle Royale, there was this nihilistic-violent-bloody yakuza movie where hope, honor and dream are just dead. One of the best japanese crime movie ever made!
# Review: DVDVerdict
# From the same director: Under the flag of the rising sun
# Trailer
——————–
#07 – The Great Killing – IMDb Rating: 8.5/10

Imagine a violent samurai showdown shoot like French Connection, a story a la The Battle of Algiers, and you’ll have a little idea of what is The Great Killing!
# Review: MidnightEye
# From the same director: The Thirteen Assassins
——————–
#06 – The Man Who Stole The Sun – IMDb Rating: 7.5/10

The Japanese Taxi Driver, except here, a young teacher is building his A-Bomb to threaten his government. Just amazing!
# Review: MidnightEye
# From the same director: The Youth Killer
# Clip:
——————–
#05 – Branded to Kill – IMDb Rating: 7.3/10

Remember Ghost Dog? Well, Jarmusch was deeply influenced by Branded to Kill, an abstract and insane yakuza movie with a killer who wants to be the number 1!
# Review: KFC Cinema
# From the same director: Tattooed Life
# Trailer:
——————–
#04 – The Streetfighter – IMDb Rating: 7.0/10

If you’ve seen True Romance, you should know what is The Streetfighter! A pure badass movie with no limits in violence! A violent japanese version of Bruce Lee.
# Review: KFC Cinema
# With the same actor: The Shogun’s Samurai
# Trailer:
——————–
#03 – Female Prisoner #701: Scorpion – IMDb Rating: 7.4/10

One of the best women in prison film! It’s violent, visually astonishing, even anarchistic. With Lady Snowblood’s actress as a cold-blood prisoner.
# Review: Sarudama
# From the same director: Female Convict Scorpion Jailhouse 41
# Trailer:
——————–
#02 – Red Angel – IMDb Rating : 8.1/10

It shows the cruelty of war seen through the eyes of a beautiful nurse. Don’t except drama or pathos, it’s about dehumanization. A very pessimistic and sad story!
# Review: MidnightEye
# From the same director: The Blind Beast
# Trailer:
——————–
#01 – Hitokiri – Tenchu! – IMDb Rating : 8.1/10

This is how the samurai film genre ends. Fights without honor or humanity, blood everywhere… Best known for Yukio Mishima harakiri scene.
# Review : MidnightEye
# From the same director: The Wolves
# Clip:
——————–
And you, what do you recommend?


















{ 7 comments… read them below or add one }
Le site est devenu officiellement anglais ou c’est juste passager ?
Well, judging by the ‘treasures of asian cinema’ tagline, there’s no doubt that WG has gone english! It’s certainly not a problem from my side, we are now waiting internatinal moviegoers to share theirs thoughts & comments!
Also from the director of “Red Angel”, “Giants and Toys” and “The Wife’s Confession”
Might I also suggest Moju, aka Blind Beast:
http://www.imdb.com/title/tt0140384/
Brilliant gem that deserves more attention.
While we’re talking Masumura, A Lustful Man starring Raizo Ichikawa is a hoot. Ichikawa plays a dimwitted Casanova, bonking his way across Edo-period Japan. However, Giants & Toys is my all-time favorite.
Patrick, now that you mentioned Raizo portraying a Casanova, it reminds me of a Toei-studio flick I saw here in Honolulu during the 1970s that was entitled “Hanjiro,” also a period-piece about a lecherous philanderer. Have you seen that one? I saw it at the Toyo Theatre which screened Toei movies only. Regrettably, the Toyo Theatre has long been torn down. What I lament about its passing is not only the fact that it showed chambara films but also because it included a pond filled with koi-fish. Passing over the koi-pond was a small nihon-bashi, which is the Japanese-type bridge seen in all the chambara films. Gone are the days.
I am not familiar with the film you mention. However, during the 70s, there were many a Japanese theater like you describe dotting the landscape of our country. And, sadly, they have all flown to the four winds.