Akira Kurosawa’s Top 100 Movies!

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Akira Kurosawa's Top 100 Movies!

Let’s see what movies Akira Kurosawa liked:

1919 – Broken Blossoms, USA, D.W. Griffith
1919 – The Cabinet of Dr. Caligari, Ger, R. Wiene

1922 – Dr. Mabuse: The Gambler, Ger, Fritz Lang
1925 – The Gold Rush, USA, C. Chaplin
1928 – The Fall of the House of Usher, France, Jean Epstein
1928 – An Andalusian Dog, France, Luis Buñuel

1930 – Morocco, USA, Joseph Von Sternberg
1931 – Der Kongress tanzt, Ger, Eric Charell
1931 – The Threepenny Opera, Ger, Georg W. Pabst
1933 – Lover Divine, Ger-Au, Willi Forst
1934 – The Thin Man, USA, W.S. II Van Dyke
1934 – Our Neighbor, Japan, Yasujiro Shimazu
1935 – Tange Sazen, Japan, Sadao Yamanaka
1936 – Capricious Young Man, Japan, Mansaku Itami
1937 – The Grand Illusion, France, Jean Renoir
1937 – Stella Dallas, USA, King Vidor
1938 – Composition Class, Japan, Kajiro Yamamoto
1939 – Earth, Japan, Tomu Uchida
1939 – Ninotchka, USA, Ernst Lubitsch

1944 – Ivan the Terrible, URSS, Sergueï Eisenstein
1946 – My Darling Clementine, USA, John Ford
1946 – It’s a Wonderful Life, USA, Frank Capra
1946 – The Big Sleep, USA, Howard Hawks
1948 – The Bicycle Thief, Italy, Vittorio DeSica
1949 – The Green Mountains, Japan, Tadashi Imai
1949 – The Third Man, UK, Carol Reed
1949 – Late Spring, Japan, Yasujiro Ozu

1950 – Orpheus, France, Jean Cocteau
1951 – Carmen comes home, Japan, Keisuke Kinoshita
1951 – A Streetcar Named Desire, USA, Elia Kazan
1952 – The Adultress, France, Marcel Carné
1952 – Life of Oharu, Japan, Kenji Mizoguchi
1954 – Journey to Italy, Italy, Roberto Rossellini
1954 – Godzilla, Japan, Ishiro Honda
1954 – The Road, Italy, Federico Fellini
1955 – Floating Clouds, Japan, Mikio Naruse
1955 – Pather Panchali, India, Satyajit Ray
1955 – Daddy Long Legs, USA, Jean Negulesco
1956 – The Proud Ones, USA, Robert D. Webb
1958 – The Sun Legend of the End of the Tokugawa Era, Japan, Y. Kawashima
1957 – The Young Lions, USA, Edward Dmytryk
1959 – The Cousins, France, Claude Chabrol
1959 – The 400 Blows, France, François Truffaut
1959 – Breathless, France, Jean-Luc Godard
1959 – Ben-Hur, USA, William Wyler

1960 – Her Brother, Japan, Kon Ichikawa
1960 – The Long Absence, France, Henri Colpi
1960 – Stowaway in the Sky , France, Albert Lamorisse
1960 – Purple Noon, France, René Clément
1960 – Zazie, France, Louis Malle
1960 – Last Year at Marienbad, France, Alain Resnais
1962 – What Ever Happened to Baby Jane?, USA, Robert Aldrich
1962 – Lawrence of Arabia, USA, David Lean
1963 – Any Number Can Win, France, Henri Verneuil
1963 – The Birds, USA, Alfred Hitchcock
1964 – The Red Desert, Italy, Michelangelo Antonioni
1966 – Who’s Afraid of Virginia Woolf?, USA, Mike Nichols
1967 – Bonnie & Clyde, USA, Arthur Penn
1967 – In the Heat of the Night, USA, Norman Jewinson
1968 – The Charge of the Light Brigade, UK, T. Richardson
1969 – Midnight Cowboy, USA, John Schlesinger

1970 – M.A.S.H., USA, Robert Altman
1971 – Johnny Got His Gun, USA, Donald Trumbo
1971 – French Connection, USA, William Friedkin
1972 – The Spirit of the Beehive, Espagne, Victor Erice
1972 – Solaris, URSS, Andreï Tarkovski
1973 – The day of the Jackal, USA, Fred Zinnemann
1974 – Conversation Piece, Italy, Luchino Visconti
1974 – The Godfather, part 2, USA, Francis Ford Coppola
1974 – Sandakan N°8, Japan, Kei Kumai
1975 – One Flew Over the Cuckoo’s Nest, USA, Milos Forman
1975 – The Travelling Players , Greece, Theo Angelopoulos
1975 – Barry Lyndon, USA, Stanle Kubrick
1976 – Lullaby of the Earth, Japan, Yasuzo Masumura
1977 – Annie Hall, USA, Woody Allen
1977 – An Unfinished Piece for a Player Piano, URSS, Nikita Mikhalkov
1977 – Padre Padrone, Italy, Paolo & Vittorio Taviani

1980 – Gloria, USA, John Cassavetes
1980 – A Distant Cry From Spring, Japan, Y. Yamada
1982 – La Traviata, Italy, Franco Zefirelli
1982 – Fanny and Alexander, Sue-FR-Ger, Ingmar Bergman
1982 – Fitzcarraldo, Ger, Werner Herzog
1983 – The King of Comedy, USA, Martin Scorsese
1983 – Merry Christmas Mr. Lawrence) Japan, Nagisa Oshima
1984 – Killing Fields, UK, Roland Joffé
1984 – Stranger Than Paradise, USA, Jim Jarmush
1984 – Tung-tung de jiaqi, Taiwan, Hou Hsiao Hsien
1984 – Paris, Texas, Ger, Wim Wenders
1985 – Witness, USA, Peter Weir
1985 – The Trip to Bountiful, USA, Peter Masterson
1985 – When Father Was Away on Business, Yug, Emir Kusturica
1987 – The Dead, USA, John Huston
1987 – Where Is the Friend’s Home?, Iran, Abbas Kiarostami
1987 – Bagdad Cafe, Ger, Percy Adlon
1987 – The Whales of August, USA, Lindsay Anderson
1988 – Running on Empty, USA, Sidney Lumet
1988 – My Neighbor Totoro, Japan, Hayao Miyazaki
1989 – A-Un, Japan, Yasuo Furuhata

1991 – La belle Noiseuse, France, Jacques Rivette
1997 – Hana-bi, Japan, Takeshi Kitano

Thanks K-Chan!
Sources: Published in Positif, a french mag – Also check here

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{ 4 comments… read them below or add one }

1 kabir February 23, 2009 at 7:50 am

Interesting list…

2 Ambarnath Sinha May 17, 2009 at 2:25 pm

I could relate to only a few out of the list of 100! I was a little amazed not to find a quite a few as well which I did expect. Nevertheless, it’s a very personal choice. Our likings and dislikings are based on such psychological things, which probably even we are not aware off as well! Films are no exception! Therefore, I wonder, if we could have got to know the reasons attached with his choices. It would have done a world of good for people like us who eat cinema!

3 Souf_Musashi January 2, 2010 at 8:53 am

Grand fan d’Akira Kurosawa, quand je vois cette liste, j’ai juste envie de prendre mes deux mains et de pleurer.

Incroyable éclectisme de Tenho , malgrès sa grande culture et son amour pour la littérature anglais et russe, le bonhomme était avant tout un sacré cinéphile.

Un exemple à suivre pour tous les cinéastes en herbes.

4 replay ray August 2, 2011 at 8:14 pm

what a bizarre mindset to come up with this motley selection of movies. can’t say i agree or disagree, went through my Kurosawa infatuation in college. i do like the premise though, but i would like an included reason’ d’etre (sic) for the thinking behind it. does anyone have the link to the “fake Spielberg” list? i would like to try my own hand at this using, perhaps, Hitchcock or Cronenberg, to name but two…

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